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dc.contributor.authorRaw, Laurence
dc.date.accessioned2024-02-14T10:05:03Z
dc.date.available2024-02-14T10:05:03Z
dc.date.issued2015
dc.identifier.issn1753-6421en_US
dc.identifier.urihttp://hdl.handle.net/11727/11515
dc.description.abstractBy considering two of Radio 4's most recent adaptations (2011), this article analyses how director Claire Grove recreates the noir aesthetic characteristic of post-1945 radio and film adaptations of Chandler's work. She achieves her task through various means - subverting Marlowe's role as the omniscient narrator, challenging our understanding of him as a hard-boiled hero, and creating deliberately discordant soundscapes denoting the corruption pervading Marlowe's world. The experience of listening to Grove's adaptations not only reminds us of the importance of noir in the past but also comments on corruption in the present day. Nonetheless this is not the end of the story, as Grove asks us to reflect on Marlowe's behaviour and consider whether there are other alternatives to viewing the world through perpetually cynical spectacles.en_US
dc.language.isoengen_US
dc.relation.isversionof10.1386/jafp.8.2.141_1en_US
dc.rightsinfo:eu-repo/semantics/closedAccessen_US
dc.subjectnoiren_US
dc.subjectradioen_US
dc.subjecthard-boiled heroen_US
dc.subjectPhilip Marloween_US
dc.subjectdetective fictionen_US
dc.subjectadaptationen_US
dc.titleTranscending Noir - Claire Grove's BBC Radio Adaptations of Raymond Chandleren_US
dc.typearticleen_US
dc.relation.journalJOURNAL OF ADAPTATION IN FILM & PERFORMANCEen_US
dc.identifier.volume8en_US
dc.identifier.issue2en_US
dc.identifier.startpage141en_US
dc.identifier.endpage154en_US
dc.identifier.wos000450313500004en_US
dc.identifier.eissn1753-643Xen_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergien_US


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